Remembering a Greatest Generation dad on Father’s Day

By Gary Bennett

Rose Marie (Wilt) Bennett and Howard Bennett, Jr on their wedding day in 1947.

This article appears in the Frederick News-Post’s “Real Life” section on June 20, 2026.

My dad is not with us anymore. Hasn’t been for a long time. He only got 67 years on this Earth, departing back in 1993.

I was thinking about his role as a dad. Was it something he really wanted or was it something that he was just sort of thrust into and made the best of? We never talked about such things. He wasn’t one to examine his life, or if he did, he sure wasn’t going to share it.

I suppose most dads of that generation — the Greatest Generation — were like that: strong, silent, sure fellows who could seemingly do anything.

They survived all sorts of childhood maladies that claimed so many of them. As young men, they struggled through the Great Depression. They marched off to World War II, not because they had to, but because they wanted to. They started jobs and families in the relatively comfortable ‘50s. They watched their sons go off to Vietnam in the ‘60s and didn’t want them to. They settled into late middle age in the ‘70s and retired in the ‘80s, watching their children leave home one by one.

One Greatest Generation dad, Howard Alva Bennett Jr., was born on Jan. 8, 1926. He would have been 100 years old earlier this year. Heart problems and undiagnosed COPD from a lifetime of smoking unfiltered Camels got the best of him just a few years into a well-earned retirement.

He was the oldest of four children. He was the only boy. His three sisters adored him. He was born and raised in one of the most out-of-the-way places imaginable — Cross, West Virginia. Cross sits on top of a mountain west of Keyser, West Virginia, 20 miles southwest of Cumberland, Maryland. As a young, restless man, I can picture him hoping for a chance to get off that mountain.

Dad grew up very poor in a two-story, clapboard house with a spring running through the rocky property. My grandfather cobbled together a meager living from light farming, sporadic mining and driving a school bus. My grandma kept house.

Dad didn’t talk about his poor circumstances much, but he did let on once that getting an apple and pocket knife for Christmas was his best one ever. He couldn’t graduate from high school. He was needed to help out at home.

Growing up and into his twenties, Dad was rail thin. I marvel now looking at the old, faded, black-and-white photos of him as a kid, teen and then newlywed in his 20s. I never knew him that way.

Little by little, as life progressed, Dad produced quite a belly. I always felt like he earned it. Maybe he felt the same way. He never seemed ashamed of it, often going shirtless in the summer around the house. Exercise and eating right was a foreign concept. He already worked hard and was damn sure going to eat whatever he wanted after nearly starving growing up.

In 1944, at just 18 years of age, Dad enlisted in the Army. He couldn’t wait. He was worried the war might pass him by. The world needed saving from fascism and Dad was eager to get off the mountain and do his part.

He did not see action in Europe but saw some terrible things anyway. The pictures he took of liberated concentration camp survivors looking more like skeletons than humans are just like the ones you see on TV. It still puts a lump in my throat to think that such a young man would have to experience the results of such vicious cruelty.

He married young in 1947 at 21 years of age. My mom was 18. She was from the George’s Creek area of Allegany County, Maryland, and also grew up very poor. I don’t know which parent grew up under worse conditions. Somehow they found each other and made a go of it.

He got his first job in 1947 at the B&O Railroad in Keyser, West Virginia, and made a career of it. He retired in 1990 sitting behind a desk at the B&O office in Cumberland. He became a “railroader” through and through. That was his identity, and he was proud of it.

There would be five children spread apart — almost absurdly — by 23 years.

The first child came in 1950 — Barbara Jean — who everyone called Jeannie. She was the first grandchild for my grandma and grandpa, and I know Dad took great pride in that.

He enjoyed telling the story of grandpa walking across his yard on the mountain with a cane he didn’t need when Jeannie was presented to him in 1950, making him a grandpa.

I came next in 1957. I’m not sure what took so long. I suspect they simply had trouble conceiving. I’d like to think, but am not sure, that my dad was eager for a son. He never said so. Growing up, he didn’t provide much guidance and we surely never had “the talk.” Nevertheless, I believe he did the best he could with me.

He wasn’t a father interested in playing. When I was very young, he would wrestle a bit, and as I grew older, would play catch some. My clearest childhood memory of him is coming home from work, collapsing into an old easy chair and reading the paper while I removed his work boots. He seemed to like that.

Next came my late brother, Todd, who arrived in 1960. He died in 2023 at age 63 from lung cancer. We were never close. I think Dad had a little more affinity for him because Todd was rascally and prone to getting into trouble. I’m sure Dad saw himself in Todd.

That was it, our family was complete, or so we thought. Dad had three kids, a good marriage, a house and a solid job. All manageable “dad” circumstances. Fate had other ideas.

My sister Lisa was born in 1967 when my mom was 38 and my dad 41. That was not unheard of in those days, and they seemed genuinely happy about it. Dad goodheartedly took the ribbing that he had two families.

By the late ‘60s, Dad was mellowing. I think he looked forward to having a little bonus baby he could spoil. Sure enough, Lisa was the apple of his eye. Later that year in 1967, because we now needed more room, we bought a larger house a few miles away.

Dad was so proud of that newly built brick house. Life was good and he had the house to prove it. He had a two-car garage, workshop, rec room and room for a garden out back. But a few years later, to the surprise of everyone, another new baby arrived.

Lori was born in 1973 when my mom was 44 and Dad 47. Uncommon for sure, but they made the best of it. Mom got a job working “cat eye” at the local Celanese plant. Dad worked even harder, coming home late from working overtime. We subdivided the basement to make new bedrooms for our growing family that now numbered seven.

Unfortunately, fate struck again. Mom died just 10 years after Lori was born in 1973. Her death in 1983 at just 53 from breast cancer left Dad a widower and his two young daughters without a mom. We even had the terrible luck of Mom dying unexpectedly on what would have been my wedding day.

I’m not sure there has ever been a man less equipped to take over mom duties than my dad. He was clueless in the kitchen and the needs of young girls. But he did the best he could. Remarriage was never an option. He had always been, unquestionably, a one-woman man.

Thank goodness Lisa was 16 and mature for her age and could take on some of the responsibility of raising Lori. Dad’s one nearby sister and Todd’s wife helped out, too. With the three older kids out of the house and starting lives of their own, it was just Dad and the two girls.

When Lisa departed for college in 1986, it was just Dad and Lori. Finally retired, Dad truly rose to the occasion during this time with Lori. She did her part by looking after her aging dad who had just a few more years to live.

When I look back over Dad’s life, there is nothing earth-shatteringly great but everything that is decent and consistent. He was a good man who did his best with what he had.

He was a simple man who liked simple things. He loved his beautiful backyard, naps on the patio, a vegetable garden he tended vigorously, hot roast beef sandwiches, Piedmont High School basketball, West Virginia University football and meeting fellow retirees at the local gas station for snack pies and chitchat.

Before he passed in 1993, he had the pleasure of getting to know several grandkids. To each one, Dad was the goofy, easygoing “country” grandpa who let you do “dangerous” things. I’m not sure where that persona came from. I sure didn’t see it growing up, but as we all know, being a grandparent is easier and much more fun than being a parent.

My wife and I laugh to this day that it took a week or two to get our son back into the “city” swing of things after a week with Dad in the country, going barefoot, shirtless, dropping his g’s and getting muddy every single day with no chance of a bath on the horizon. But, you know, we wouldn’t have had it any other way.

‘Dark Shadows’ turns 60, and it still has a bite

By Gary Bennett

David Selby, Lara Parker and Jonathan Frid of ‘Dark Shadows,’ 1968.

This article appears in the June 11, 2026 issue of the Frederick News-Post’s “72 Hours” entertainment magazine.

Do I have “Dark Shadows” under my eyes?

I heard and threw out that line time and again in the late ‘60s as my childhood friends and I excitedly discussed the latest events at stately old Collinwood mansion in the fictitious fishing village of Collinsport, Maine, home of the daytime soap opera “Dark Shadows.”

Talk about guilty pleasures.

I clearly remember racing home from school, the clock striking four o’clock and that haunting theme music beginning to play. The world outside seemed to stop. You couldn’t pry me away from the TV with a crowbar.

On June 27, the cult-classic ABC daytime soap “Dark Shadows” celebrates its 60th anniversary. Festivities are planned in Los Angeles, including a cast Q&A (yes, some are still alive!), staged performances, a celebrity luncheon and an excursion to Greystone Mansion in Beverly Hills.

Why all the hoopla?

Besides being wildly popular in its day, especially among teens, “Dark Shadows” was a groundbreaking television show on several fronts.

It was the first supernatural soap opera. The story lines were teeming with vampires, werewolves, ghosts, witches and other mystical creatures. They were not cartoonish. They had flaws and worries and seemed all too real.

It was the first “period” soap opera. It was predominantly set in modern times, but characters frequently time-traveled back to the Victorian era of 1795 to 1897 to provide background information and clues as to what was about to happen.

And it was the first soap opera aimed at teens and pre-teens. It was no coincidence the show aired at 4 p.m. when kids all over America were arriving home from school. The programming strategy was pure genius.

An interesting dynamic of the show was that moms and dads were barely aware “Dark Shadows” was a “thing.” Housewives were somewhat aware — some were even fans. But dads? They had no clue. When “Dark Shadows” aired every weekday at 4 p.m., most dads were still safely at work.

At its peak in 1968, the show earned an audience of more than 20 million viewers, unheard of for daytime soap operas. With an audience made up mostly of impressionable young people, advertisers loved it. By its last season of 1971, ratings began to tank and the show was canceled.

“Dark Shadows” was conceived in 1965 when veteran television producer Dan Curtis had a dream of a mysterious young woman riding a train to a brooding old mansion. Encouraged by his wife, he pitched this gothic soap opera concept to ABC, bringing in writers to flesh out the story. ABC “bit” and the rest is television history.

The plot centers around an orphaned governess, Victoria Winters, who takes a job at the cursed mansion and falls for Barnabas Collins, an 18th-century heir — and, oh yes, a recently freed vampire — who returns to his estate to protect his dysfunctional descendants.

Jonathan Frid in his starring role as Barnabas Collins, 1970.

“Dark Shadows” had an all-star cast for its day. It starred a young heartthrob, David Selby, as sometimes-werewolf Quentin Collins. Selby went on to star in the prime-time soap “Falcon Crest” in the ‘80s.

Movie star Joan Bennett played Elizabeth Stoddard Collins, the mistress of the haunted mansion. She was nominated for a daytime Emmy for her work in “Dark Shadows.”

Kate Jackson, who later famously starred in “Charlie’s Angels,” played the ghost of governess Daphne Harridge Collins. And versatile screen actor Kathryn Leigh Scott played several characters. She went on to become a noted author later in her career.

But the true breakout star was an unlikely, fortysomething Canadian actor named Jonathan Frid as the sympathetic but star-crossed vampire Barnabas Collins. The 175-year-old Barnabas came on the scene in the second season when he was mistakenly liberated from his coffin. From there, the show really took off.

Barnabas was handsome in a deceased, rugged sort of way and sported — if you can believe it — pointy bangs that always curved to the right. He donned an ominous black cape, carried an ornate walking stick and sported an enormous family ring on his right index finger that he wielded to great effect. His fangs made only occasional appearances, but when they did, you knew he was really ticked off. Frid was undoubtedly TV’s first really “bad boy.”

During the six seasons it aired, Frid consistently received 5,000 to 6,000 fan letters a week. Girls in the ‘60s were inviting him to their proms. During frequent promotional tours, Frid was routinely mobbed by fans. It was no wonder. He provided a wonderful performance. His character was charming, captivating, elegant and dangerous, all rolled into one.

The show influenced such notable TV successors as “True Blood” and “Buffy, the Vampire Slayer” in the 1990s and 2000s. It was spun off into two feature films including 2012’s version of “Dark Shadows” by Tim Burton, starring Johnny Depp. Jonathan Frid had a posthumous cameo in the 2012 movie, having died a month before its release at age 87. (Or, did he?)

“Dark Shadows” was unlike any TV show I had ever seen. There was a certain charm to it. The story unfolded at a snail’s pace, which made it so different from anything else on TV. Plot turns often took several episodes to fully unwind, but by then you understood it. The show invited water cooler — or in my case, playground — discussion. There is horrendous overacting, actors fumbled over their lines at times and some actors even played multiple parts. It didn’t matter. It all just added to the hypnotic, gothic vibe.

Gary Bennett is a longtime Frederick resident who spends his time hiking, biking, volunteering and providing childcare for grandchildren. He is married and retired from his career as a nonprofit marketing executive.

Air Supply will bring classic hits and new music to the Weinberg Center

By Gary Bennett

This article appears in the May 28, 2026 edition of Frederick News-Post’s entertainment magazine “Prime Time.”

Air Supply, the sentimental balladeers of ‘80s power love songs, brings all their romantic hits to the Weinberg Center for the Arts on Wednesday, June 3 at 7:30 p.m. The concert promises all their legendary hits plus some original music from their new album.

In the 1980s, there was never any mistaking the iconic music of Air Supply. They were that distinctive and that good.

Their love songs either wallowed in heartache or soared triumphantly in bliss. They perfected their craft so totally that there didn’t have to be anything else. They proudly inherited the reliable love-song hit-maker mantle from the likes of Barry Manilow, Barry White and Al Green from the ‘70s.

As far as best duos ever, they’re easily above Hall and Oates, Loggins and Messina and Seals and Crofts — but perhaps just a notch behind all-time greats Simon and Garfunkel, The Everly Brothers and The Carpenters.

ORIGINS

English singer-songwriter and guitarist Graham Russell and Australian singer Russell Hitchcock comprise Air Supply. They formed the group along with a backing band in Melbourne, Australia in 1975 while singing in the chorus of the Australian production of “Jesus Christ Superstar.”

“We’ve always had a great band with us but, really, it’s just Russell [Hitchcock] and me as Air Supply,” said Graham Russell. “In the very early years, it would just be the two of us playing acoustically. We’d play little clubs after ‘Superstar.’ The two of us became very good at playing together.”

Forming a band in 1975 was a no-brainer, according to Graham Russell.

“We had so much in common when we met — born three days apart, have very similar names, and we both loved the Beatles. We saw them when we were 14. I’ve always been a songwriter and when I heard Russell’s voice I thought, ‘Oh, here we go. This is the voice I need for my songs.’ It just fell into place so naturally. Russell doesn’t write songs. He just wanted to sing. And I just wanted to write songs. So, it was the perfect scenario. I said ‘let’s form a band’ and he said ‘okay, let’s do it.’ It was that simple.”

NAME THAT BAND

Coming up with a name for the band was not so simple, however.

If you thought the name “Air Supply” was a carefully invented phrase designed to connote love being in the air with Graham and Russell supplying it, you would be wrong. That was a popular misconception in the early ‘80s. Instead, Graham recounts how a pressing deadline and a strange dream led to the iconic name.

“Our first record was coming out and we didn’t have a name. The record company said, ‘You’ve got to have a name by the morning because we’re going to press the record.’ Nobody knew who we were, of course. That night I had a dream and saw a big giant billboard with flashing lights all around it. And in the middle were two words in big, black letters — Air Supply. I told Russell the next morning about this weird dream and the two words and he said ‘let’s go with it.’ So, we went with it and it just clicked. It became synonymous with our kind of music. We were never strong planners; we kind of let the universe unfold. We are blessed in this weird way.”

CELEBRATING THE BIG 5-0

Air Supply is celebrating its 50th anniversary in 2025 and 2026 with a worldwide tour and new album, “A Matter of Time,” their first album of new music in 15 years.

Graham Russell is proud of the new album. “We both believe it’s the best album we’ve ever made. Whether people hear it or not, I don’t know, but that’s not important to us because we wanted to make one more and this will be the last. It’s a beautiful, beautiful record and we’re very proud of it. We wanted to go out in a really nice way.”

Prolific tourers throughout their career, Graham and Russell will have played sold-out concerts across North America, Australia, Europe, Asia and South America before landing in Frederick on June 3. “Our first show in Buenos Aires in May will make 5,700 shows we’ve played in our career. I think that’s more than any other band in history, but I’m not sure. We simply love to play!” said Graham Russell.

UNMISTAKABLE MUSICAL STYLE

Air Supply caught lightning in a bottle by becoming synonymous with ‘80s love songs. Their reliably romantic hits tugged relentlessly at the heartstrings of fans. They didn’t set out to be that type of band. It just happened, according to Graham Russell.

“We never sat down and said ‘let’s go down this romantic love songs lane.’ That was just the kind of people we were and the songs that I wrote. I’ve always been this way since I was 13. I’ve always written very romantic songs. But consequently, people latched onto it. They’re very passionate and very emotional, bordering on the spiritual. We don’t have to work really hard at it. It’s just there all the time.”

Air Supply’s biggest fans are known as Air Heads. Graham Russell is appreciative of their devotion. “The fans seem to stick with us for years and years. There are millions and millions around the world. It’s become this kind of enterprise of romantic music. It’s quite amazing.”

Graham Russell is the songwriter and guitarist of the two. He is widely respected in songwriting circles for his heartfelt lyrics and tender music. Russell Hitchcock is the lead singer, known for his crisp, soaring and emotional vocals. His sweet and sentimental tenor makes Air Supply instantaneously recognizable and a staple of adult contemporary radio.

FAST FRIENDS

Graham insists he and Russell get along famously, having never argued in their 50-plus-year friendship and partnership. “No, we have never had words. People don’t believe it, but if you think about it, Russell just wants to sing, and I just want to write the songs. I have no desire to be a lead singer. I sing on a lot of things but I’m not the lead singer. So, there’s no competition with us.”

“When we’re ready to make an album, I come along with about 30 songs and we go through them all and we record what we think is right for the moment. Russell always has first go at every song but quite often he’ll say ‘no, you should sing this.’ That was the case with ‘All Out of Love.’ It was supposed to be him singing all of it, but he said, ‘no, you should sing the verse’ and I did and the rest became history.”

Graham has a hard time understanding why some groups don’t get along.

“It’s weird because there were so many artists from our time — Hall and Oates included — that just don’t like each other. Simon and Garfunkel and the Eagles — they can’t stand each other. To us, that’s kind of weird because with our kind of music, which is professing staying together, love and romance, it would be too weird if we were at each other’s throats all the time. We have great respect for each other. I’ve known him for so long. We know each other backwards and forward. So, why argue?”

HIT MAKERS

Air Supply’s discography is beyond impressive.

Their string of consecutive top hits reads like a who’s who of romantic music. First came “Lost in Love” in 1980. The associated album, also called “Lost in Love,” was released in March and contained two other top-five U.S. singles: “Every Woman in the World” and “All Out of Love.”

In July 1981 Air Supply released the album “The One That You Love,” with the title track reaching number one soon after — the group’s only number-one song. The album produced two more U.S. top-five hits: “Here I Am (Just When I Thought I Was Over You)” and “Sweet Dreams.”

The album “Now and Forever” was released in June 1982 and continued the group’s dominance of the U.S. charts with the top-five hit “Even the Nights Are Better” and two top-40 singles, “Young Love” and “Two Less Lonely People in the World.”

In 1983 they released their first compilation album, “Air Supply’s Greatest Hits,” which included a new smash hit single, “Making Love Out of Nothing at All,” that reached number two on the charts. Fans unfamiliar with Air Supply but wishing to sample their one-of-a-kind musical prowess should start there.

In 1985 the band released a self-titled album that included their last top-20 U.S. hit, “Just as I Am.” In 1986 they had their final charting hit, “Lonely Is the Night,” from the album “Hearts in Motion.”

All told, Air Supply racked up total record sales of over 100 million worldwide, including an astounding eight top-five hits in just six years and 11 total top-40 hits during that span.

Among their top honors are the 1982 American Music Award for Favorite Pop/Rock Duo or Group and induction into the Australian Rock and Roll Hall of Fame in 2013. In 2026 they are due to receive a star on the Hollywood Walk of Fame, and a biopic and Broadway musical about their career are in the works.

When asked why their songs are so enduring, Graham Russell paused, searching for an answer, before thoughtfully responding. “I think because they have an emotional element in them that people recognize. The songs are so simple. ‘Lost in Love,’ for instance, has four chords. There’s something in the songs that pulls at the heartstrings. I know what it is but I don’t know how it comes. I just write them that way. I had a very emotional childhood growing up and I think that really washed over me. I love poetry and reading so those elements come into the songs. The very romantic descriptions of things are always there.”

Gary Bennett is a longtime Frederick resident who spends his time hiking, biking, volunteering and providing childcare for grandchildren. He is married and retired from his career as a nonprofit marketing executive.