One-hit wonderful: Celebrate these one-off hits on One-Hit Wonder Day

By Gary Bennett

Motion of the turntable of warm toned image with shallow depth of field

This article appears in the September 25, 2025, issue of Frederick News-Post’s “72 Hours” entertainment magazine.

I’ve always puzzled at the mockery directed toward pop artists who only manage one big hit song in their careers. In my mind, they’ve managed something that few others have: hit the jackpot in life by creating something that brings others entertainment and sometimes joy. That is one-hit “wonder-ful” in my book.

I’m not alone. These artists and their songs even have their own day. September 25 is officially “One-Hit Wonder Day.”

A one-hit wonder is any artist that achieves mainstream popularity, often for only one piece of work, and becomes known among the public solely for that momentary success. The term is mostly used for music performers with only one hit single that overshadows their other work.

Because of streaming services and the decline of broadcast radio, the line has been blurred as to what is a hit song now days and what is not. People listen to what they want and pay less attention to mainstream radio and Top 40 charts than they used to.

Still, the term ‘one-hit wonder’ lives on in popular culture. How many times have you heard the term directed at someone who (as far as you can tell) has only done one big thing in life? I tease my best friend all the time with this term because he obviously “married up.” Another gets the same ribbing because he is an only child.

Maybe one-hit wonders haven’t attained long-lasting success or public notoriety, but in many cases, they’ve earned a comfortable living with a little thing called “royalties.”

Case in point, back in my day, a fellow named Norman Greenbaum had one big hit, “Spirit in the Sky.” It reached No. 3 on the pop charts in 1970. I’m sure you’ve heard it. It has sort of a mystical vibe. It turns up in movies and commercials all the time. Even though he long-ago signed away the publishing rights, Greenbaum still receives a cut of the revenue as the song’s performer. Each time “Spirit in the Sky” appears in a movie or ad, he cashes a check for $10,000 or more.

Norman Greenbaum, 1970

“It’s not like it’s made me rich, as you can see,” said Greenbaum, 82, pointing at his modest two-bedroom home in Santa Rosa, California. “But because of ‘Spirit in the Sky,’ I’ve never had to work a real job. “

Then there are the hitmakers in bands who go off to become solo performers but don’t have the same success on their own.

There is a fellow named Dave Mason who had plenty of hits with a terrific band called Traffic in the 1960s but came up with just one big one as a solo performer, “We Just Disagree,” in 1977. He’s now 79 and still plays small clubs. Before he plays his one big solo hit, he tells the audience it’s his “mailbox song,” because every month he walks out to the mailbox and picks up his royalty check. He says he has no idea how much he’s made on that one song but agrees he could probably live off it.

English singer, songwriter and guitarist Dave Mason performs in 1974 in London, UK. (Photo by Chris Walter/Getty Images)

Consider, too, the successful artists that have been called one-hit wonders even though they’ve had other charting singles. In their cases, one mammoth song overshadowed everything else they’ve done. Think Grateful Dead’s “Touch of Grey,” Beck’s “Loser,” Frank Zappa’s “Valley Girl” and Simple Minds’ “Don’t You Forget About Me.”

I often joke with my wife that if I could just come up with one pop hit, we would be set (never mind the fact that I have no musical talent).

“Macarena” by Los Del Río in 1996 is often cited as the quintessential one-hit wonder. The song’s popularity, powered by the iconic dance, made it a global sensation in the mid-1990s. Afterwards, the band was never able to come anywhere close to the level of success achieved by that song.

So, settle in fellow music fans and take a trip with me through the decades on One-Hit Wonder Day on Sept. 25, and pull up some of these classic songs and terrific artists who never reached these heights again. But at least they did once!

1960s

• Teen Angel, Mark Dinning, 1960

• The Lions Sleeps Tonight, The Tokens, 1961

• Monster Mash, Bobby “Boris” Picket, 1962

• Rhythm of the Rain, The Cascades, 1963

• (Just Like) Romeo and Juliet, The Reflections, 1964

• Eve of Destruction, Barry McGuire, 1965

• Wild Thing, The Troggs, 1966

• A Whiter Shade of Pale, Procol Harum, 1967

• In-A-Gadda-Da-Vida, Iron Butterfly, 1968

• Get Together, The Youngbloods, 1969

1970s

• Ride Captain Ride, Blues Image, 1970

• One Toke Over the Line, Brewer & Shipley, 1971

• Brandy, You’re a Fine Girl, Looking Glass, 1972

• Dancing in the Moonlight, King Harvest, 1973

• Midnight at the Oasis, Maria Muldaur, 1974

• The Hustle, Van McCoy, 1975

• Play That Funky Music, Wild Cherry, 1976

• You Light Up My Life, Debby Boone, 1977

• Short People, Randy Newman, 1978

• My Sharona, The Knack, 1979

1980s

• Whip It, Devo, 1980

• Just the Two of Us, Grover Washington, Jr., 1981

• 867-5309/Jenny, Tommy Tutone, 1982

• There’s Always Something There to Remind Me, Naked Eyes, 1983

• We’re Not Gonna Take It, Twisted Sister, 1984

• Take on Me, a-ha, 1985

• Take My Breath Away, Berlin, 1986

• At This Moment, Billy Vera and the Beaters, 1987

• Don’t Worry, Be Happy, Bobby McFerrin, 1988

• Bust a Move, Young MC, 1989

1990s

• Ice Ice Baby, Vanilla Ice, 1990

• Walking in Memphis, Marc Cohn, 1991

• Life Is a Highway, Tom Cochrane, 1992

• I’m Gonna Be (500 Miles), The Proclaimers, 1993

• Loser, Beck, 1994

• I’ll Be There for You (Theme from Friends), The Rembrandts, 1995

• Macarena, Los Del Rio, 1996

• MMMBop, Hanson, 1997

• Torn, Natalie Imbuglia, 1998

• Mambo No. 5, Lou Bega, 1999

2000s

• Who Let the Dogs Out, Baha Men, 2000

• I Hope You Dance, Lee Ann Womack, 2001

• The Middle, Jimmy Eat World, 2002

• The Boys of Summer, The Ataris, 2003

• Heaven, Los Lonely Boys, 2004

• Bad Day, Daniel Powter, 2005

• Crazy, Gnarles Barkley, 2006

• Hey There Delilah, Plain White T’s, 2007

• All Summer Long, Kid Rock, 2008

• Goodbye, Kristinia DeBarge, 2009

2010s

• Call Me Maybe, Carly Rae Jepsen, 2010

• Somebody That I Used to Know, Goyte, 2011

• Let Her Go, Passenger, 2012

• Ho Hey, Lumineers, 2013

• Cheerleader, Omi, 2014

• Fight Song, Rachel Platten, 2015

• Ex’s and Oh’s, Elle King, 2016

• Feel It Still, Portugal. The Man, 2017

• Let You Down, NF, 2018

• Roxanne, Arizona Zervas, 2019

Gary Bennett is a longtime Frederick resident who spends his time hiking, biking, volunteering and providing childcare for grandchildren. He is married and retired from his career as a nonprofit marketing executive.

‘YIMBY’ analysis ignores reality

By Gary Bennett

The letter to the editor appears in the September 12, 2025, issue of the Frederick News-Post

The Sept. 5 column “Forget YIMBY. The housing shortage could disappear on its own.” is an example of a column from an outsider that really says nothing.

The word “could” in the title should be the tipoff. I “could” become a millionaire tomorrow. Sure, but not very likely.

The same can be said about the author’s opinion on a subject he apparently knows little about. He says the housing shortage will straighten itself out in five years due to demographic shifts and a surge in construction.

Five years sounds pretty good, but that is no solace to the 20- and 30-somethings who can’t find an affordable home for their growing families now.

Demographic shifts and a surge in construction also sound plausible, but I know from my time on the Affordable Housing Council of Frederick County that affordable housing simply cannot be built without incentives to do so.

The math just does not work because of the cost of land and other factors, including the price of materials, and, yes, zoning regulations.

I’m part of the demographic that would like to downsize, but downsize into what? Plus, we’re living longer than ever.

He goes on to say the housing issue is a local one and cannot be solved by national policies or national groups like YIMBY.

He is mostly right. Housing policy is a local issue, but national policies play a big part, especially federal tax credits and funding from HUD.

Frederick politicians say all the right things, especially at election time, but the problem is when push comes to shove in public meetings, the NIMBYS — the “Not In My Backyard” types — often win the day because they are organized and motivated, and they vote.

That is why national groups like YIMBY (“Yes In My Backyard”) have state and local chapters that work at the local level.

I’ve been in discussions with the national YIMBY group to start a Frederick chapter to hold politicians accountable and to push back at the NIMBYs. If you are interested in joining our cause for more affordable housing now, contact me at gabennett01@comcast.net.

Gary Bennett
Frederick

Editor’s note: Gary Bennett is a member of the Affordable Housing Council of Fredrick County, but is speaking on his own behalf.

‘Hogan’s Heroes’ turns 60

By Gary Bennett

John Banner, Bob Crane and Werner Klemperer star in the 1960’s hit series ‘Hogan’s Heroes.’

This article appears in the September 11, 2025, issue of the Frederick News-Post’s “72 Hours” entertainment magazine.

Imagine this: you’re a network executive and two Hollywood hangers-on come to you with an idea for a television comedy. It will be set in a POW camp in Nazi Germany at the height of World War II. You’d think they were crazy, right? Well, that’s exactly what Bernard Fine and Albert Ruddy did in 1964 when they pitched the idea for “Hogan’s Heroes” to CBS.

The two veteran but largely unknown actor/producer-types reportedly came up with the idea over lunch one day. And despite understandable misgivings from network executives about the humor in such a setting, they green-lit the project anyway. Actors, writers, directors and producers were hired, the pilot was shot, and “Hogan’s Heroes” was off and running. And to everyone’s surprise, it was a hit!

For folks of my generation, you’re probably smiling at the thought of this absurd, unique, but long-forgotten comedy that aired on Friday nights in the tumultuous ‘60s. For you younger folks, I urge you to give it a try. Two back-to-back episodes air every week night at 10 p.m. on Me TV. The entire series is available on DVD from Paramount Home Entertainment, Columbia House and CBS Home Entertainment.

I find it to be a perfectly mindless way to end to a busy day. Just be ready for preposterous story lines, a smug, carefree and debonair leading man and over-the-top comedic acting that make the Germans look like fools. But that’s precisely the point. And somehow, it all works.

In 2025, “Hogan’s Heroes” celebrates its 60th anniversary. Its first airing was Sept. 17, 1965, just 20 years after the end of World War II and at the very height of the Vietnam War. Against all odds, it was a commercial and critical success, running for six seasons (168 episodes) through April 1971 on CBS. It has been in reruns ever since. As a young boy during this time, I can tell you the show was hilarious. Now, as an adult, it seems like an amusing, back-slapping old friend. It is widely regarded as the most unique situation comedy ever produced. The premise was pure genius.

The show centers around a group of cheeky, smart-alecky Allied prisoners of war who use the POW camp as a base of operations for sabotage and espionage directed against Nazi Germany. They make sure the clueless, befuddled commandant of the camp maintains his spotless record of never allowing a successful escape from fictitious Stalag 13 to keep their operation afloat. A savvier leader would surely catch on to all the shenanigans. All the while, the POWs are plotting and carrying out all manner of mayhem in the surrounding countryside via their elaborate labyrinth of tunnels and passages.

Aside from an improbable and unmatched premise, I believe the biggest reason “Hogan’s Heroes” worked so well was pitch-perfect casting.

Bob Crane starred as U.S. Colonel Robert E. Hogan, the handsome mastermind of all manner of espionage and sabotage performed in the ‘underground” surrounding Stalag 13. He used wit, charm and ingenuity to subvert the Germans at every turn. He led an international crew of specialists in explosives, radio operations, gourmet cooking (very handy to butter up the Germans) and safe cracking. Crane was offered the role after appearing in Disney movies and other sitcoms as the clean cut, guy-next-door type. His story book career ended tragically in 1978 at age 50 when he was bludgeoned to death in a hotel room. His murderer was never captured.

Character actor Werner Klemperer co-starred as the vain, obtuse, bald but distinguished-looking Colonel Klink, the commandant of the camp, to comical perfection. So much so that he was nominated for outstanding supporting actor in a comedy series five times in the six years the show aired. He won twice in ’68 and ’69. Klink is completely unaware of Hogan’s operation and is unfailingly proud of his no escape record as he unceasingly reminds his befuddled superiors. In real life Klemperer was Jewish and only agreed to take the role after receiving assurances Klink would always play the fool. Klemperer remarked one time, “I had one qualification when I took the job: if they ever wrote a segment where Klink came out the hero, I would leave the show.” He never left the show.

John Banner co-starred as the gullible but affable Seargent-of-the-Guard Schultz (or “Schultzie,” as the prisoners called him), Klink’s right-hand man. He is rotund, clumsy and inept but has a heart of gold as we see in many episodes. He is quoted in one show as saying “I don’t like to take sides in war.” He is easily bribed with chocolates and gourmet cooking and has a penchant for talking too much. He exited many scenes by uttering his catch phrase, “I know (hear, see) nothing!” That phrase was on the lips of many people (not just kids) in the ‘60s who didn’t want to get involved in something nefarious. Like Klemperer, Banner was born to Jewish parents who fled Nazi Germany. He later served in the U.S. Army as a sergeant in World War II.

Despite a camp full of POWs, only four ever had speaking roles and comprised Colonel Hogan’s inner circle and saboteurs-in-arms.

Robert Clary played diminutive French Corporal Louis LeBeau, know as “cockroach” to Klink and Schultz. He was a gourmet chef, always able to delight the Germans with his cooking prowess, much to their detriment. Amazingly, Clary in real life was also Jewish and escaped three years in a German concentration camp in his teens by using his singing and dancing skills to survive. His parents and other family members were killed. He delighted in the show and the way it made the Germans look so foolish.

Richard Dawson played British Royal Air Force Corporal Peter Newkirk. His penchant for conning other people along with his ability to crack a safe, pick a lock or pocket, cheat at cards and forge documents made him a valuable compatriot. His best skill, however, was his fearsome German accent that he used to great effect to threaten Klink and other Germans on the phone or radio with a “transfer to the Russian front.” Dawson went on to be a game show Hall of Famer, first as the go-to panelist on Match Game and then as the first host of Family Feud.

Larry Hovis played explosives expert U.S. Technical Sergeant Andrew J. Carter. Smart, clumsy and affable, he played the absent-minded professor role to perfection. He delighted in blowing up any manner of German trains, planes, bridges, and munitions. His menacing, rapid-fire German accent and uncanny resemblance to Hitler proved invaluable in many episodes.

Ivan Dixon played U.S. Staff Sergeant James “Kinch” Kinchloe, the man responsible for radio communication. One running gag featured a radio antenna rising matter-of-factly from a German flagpole, but no one ever noticing. Dixon was African-American and casting him in this role was a major step forward for a television show in the mid-1960s. In fact, “Hogan’s Heroes” was honored with the NAACP Award in 1967 as a “TV program that improved the presentation of Negroes.” In real life Dixon was a Korean War flying ace and record setting test pilot. Dixon went on to become a hugely sought-after director in Hollywood.

The two actors who played the recurring roles of Klink’s superior officer and the perpetually irritated and suspicious Gestapo officer were also Jewish and extraordinary in their roles.

Character actor Leon Askin played fat, battle-scarred General Burkhalter to exasperating perfection. He knew Klink was a fool but knew to leave well enough alone. Even though he was played with savvy and intelligence, Burkhalter never caught on to Hogan’s escapades either.

Howard Caine as Gestapo Major Hochstetter was comedy gold. When Hogan would show up unexpectedly at a place he shouldn’t, Hochstetter would snarl “What is this man doing here?” He was constantly suspicious of all the sabotage swirling around Stalag 13 and knew that Klink was a fool but was never able to catch Hogan in the act.

Besides the five nominations and two Emmy wins for Klemperer as Colonel Klink, “Hogan’s Heroes” received seven other Emmy nominations including a total of five in the two most prestigious categories: best comedy series and best lead actor in a comedy series for Bob Crane. Most critics agree that the third star of the show, John Banner as Sgt. Schultz, should have been nominated, too, but was overshadowed by Klemperer. “Hogan’s Heroes” finished its six-year run as the number nine rated TV show in the land. Not bad for a hare-brained comedy premise.

Gary Bennett is a longtime Frederick resident who spends his time hiking, biking, volunteering and providing childcare for grandchildren. He is married and retired from his career as a nonprofit marketing executive.